a Vortex, a VormVole, 2022

Each id-entity is idiosyncratic, visible or invisible, material or immaterial, audible or inaudible, as well as those queered.
The concurrent urge for evanescence and emergence, id est, the common.
Worlds that otherworldly.
A peripheral language that to be felt.
Soma, liquefy, solidify, morphous.
Space contains, opens, the inexplicable.
Be that strange tissue into the vibratory volume.
Omnipresence is neither an optical illusion nor a fiction,
it is the actuality of the real and the whole.

This performance explores states of disorientation and obscurity, unfolding in and around the building of P/////AKT. Like a white cane used by blind people to scan for obstacles and orientation, a steel rod becomes an extension of the body — a tool for sensing, navigating, and questioning spatial, ocularcentric and gender norms. The performer moves through the environment guided not merely by sight, but by touch, sound, and deviated, queer ways of being in space. Using a steel rod, scaffold pole, and tape to generate sound against periphery surfaces — asphalt road, walls, pillars, marble counters etc. — the act becomes a tactile choreography of resistance and reorientation.





Photographic Documentation courtesy of P/////AKT