To be dissolved in the water of memory, 2024
The work traces how personal, collective memories are carried and sensed, inviting a slow temporality in which the body simultaneously acts as an archive of lived experience and a witness to its own becoming and dissolution. Through sonic and spatial sensibilities, it makes audible and visible these histories situated in the body to become porous and mutable—dissolving and re-illuminating in the present.
Photographic documentation courtesy of Ilya Rabinovich
Moment of salt flowing, suspended between movement and stillness, presence and disappearance.
The semi-transparent sheet harnesses the surrounding light, interacting with architectural elements, while the hanging silver chains mark vertical thresholds in space. Each plane holds the transient memory between being and vanishing.
Slowly, the stillness breaks, the blankets shift and crinkle, becoming a living, sounding organism that breathes along.
The rustling fabric fills the space with a wave-like sonic texture.
Body, material, and environment merge into a resonant ecosystem of living memory.